A Tale of Two Cities

Charles Dickens

I absolutely loved this book. I was slow to get into it, but that’s to be expected since it is written in a different style than I’m used to and it was an assigned book in English.

My favorite part was at the end when Sydney Carton meets the girl Charles Darnay had befriended. She instantly recognizes that he’s not Darnay, but they give each other comfort until the end, and Carton truly feels happy.

The author’s primary historical source was The French Revolution: A History by Thomas Carlyle: Dickens wrote in his Preface to Tale that “no one can hope to add anything to the philosophy of Mr. CARLYLE’S wonderful book”[11] Carlyle’s view that history cycles through destruction and resurrection was an important influence on the novel, illustrated especially well by the life and death of Sydney Carton.

~ From the Afterword of the Penguin Classics 2003 edition, cited from Wikpedia

I never noticed before how many stories incorporate the idea of people looking alike and using it to their advantage or causing havoc, also seen in Shakespeare’s “Two Gentlemen of Verona”.

Before I read A Tale of Two Cities, I had a murky conception of this book being a story about two gentlemen wanting to see what life was like in the other’s city, a notion I discerned from a kid’s book about two frogs. After I got the gist of the story I remembered a Wish Bone episode I had seen, and everything fit into place.

One thing that helped me to understand this book and lessen my confusion was reading “The Scarlet Pimpernel” by Baroness Emmuska Orczy. It is a much simpler book to read, and less in depth, but just as enjoyable in my opinion.

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One response to “A Tale of Two Cities

  1. Kathy Andersen

    Plot Overview
    from Spark Notes

    The year is 1775, and social ills plague both France and England. Jerry Cruncher, an odd-job-man who works for Tellson’s Bank, stops the Dover mail-coach with an urgent message for Jarvis Lorry. The message instructs Lorry to wait at Dover for a young woman, and Lorry responds with the cryptic words, “Recalled to Life.”

    At Dover, Lorry is met by Lucie Manette, a young orphan whose father, a once-eminent doctor whom she supposed dead, has been discovered in France. Lorry escorts Lucie to Paris, where they meet Defarge, a former servant of Doctor Manette, who has kept Manette safe in a garret.

    Driven mad by eighteen years in the Bastille, Manette spends all of his time making shoes, a hobby he learned while in prison. Lorry assures Lucie that her love and devotion can recall her father to life, and indeed they do.

    The year is now 1780. Charles Darnay stands accused of treason against the English crown. A bombastic lawyer named Stryver pleads Darnay’s case, but it is not until his drunk, good-for-nothing colleague, Sydney Carton, assists him that the court acquits Darnay. Carton clinches his argument by pointing out that he himself bears an uncanny resemblance to the defendant, which undermines the prosecution’s case for unmistakably identifying Darnay as the spy the authorities spotted.

    Lucie and Doctor Manette watched the court proceedings, and that night, Carton escorts Darnay to a tavern and asks how it feels to receive the sympathy of a woman like Lucie. Carton despises and resents Darnay because he reminds him of all that he himself has given up and might have been.

    In France, the cruel Marquis Evrémonde runs down a plebian child with his carriage. Manifesting an attitude typical of the aristocracy in regard to the poor at that time, the Marquis shows no regret, but instead curses the peasantry and hurries home to his chateau, where he awaits the arrival of his nephew, Darnay, from England.
    Arriving later that night, Darnay curses his uncle and the French aristocracy for its abominable treatment of the people. He renounces his identity as an Evrémonde and announces his intention to return to England. That night, the Marquis is murdered; the murderer has left a note signed with the nickname adopted by French revolutionaries: “Jacques.”

    A year passes, and Darnay asks Manette for permission to marry Lucie. He says that, if Lucie accepts, he will reveal his true identity to Manette. Carton, meanwhile, also pledges his love to Lucie, admitting that, though his life is worthless, she has helped him dream of a better, more valuable existence, and pledges to give his life for one she loves. Stryver makes a proposal and is turned down. On the streets of London, Jerry Cruncher gets swept up in the funeral procession for a spy named Roger Cly. Later that night, he demonstrates his talents as a “Resurrection-Man,” sneaking into the cemetery to steal and sell Cly’s body.
    In Paris, meanwhile, another English spy known as John Barsad drops into Defarge’s wine-shop. Barsad hopes to turn up evidence concerning the mounting revolution, which is still in its covert stages. Madame Defarge sits in the shop knitting a secret registry of those whom the revolution seeks to execute.

    Back in London, Darnay, on the morning of his wedding, keeps his promise to Manette; he reveals his true identity and, that night, Manette relapses into his old prison habit of making shoes. After nine days, Manette regains his presence of mind, and soon joins the newlyweds on their honeymoon. Upon Darnay’s return, Carton pays him a visit and asks for his friendship. Darnay assures Carton that he is always welcome in their home.

    The year is now 1789. The peasants in Paris storm the Bastille and the French Revolution begins. The revolutionaries murder aristocrats in the streets, and Gabelle, a man charged with the maintenance of the Evrémonde estate, is imprisoned. Three years later, he writes to Darnay, asking to be rescued.
    Despite the threat of great danger to his person, Darnay departs immediately for France.
    As soon as Darnay arrives in Paris, the French revolutionaries arrest him as an emigrant. Lucie and Manette make their way to Paris in hopes of saving him. Darnay remains in prison for a year and three months before receiving a trial. In order to help free him, Manette uses his considerable influence with the revolutionaries, who sympathize with him for having served time in the Bastille.

    Darnay receives an acquittal, but that same night he is arrested again. The charges, this time, come from Defarge and his vengeful wife. Carton arrives in Paris with a plan to rescue Darnay and obtains the help of John Barsad, who turns out to be Solomon Pross, the long-lost brother of Miss Pross, Lucie’s loyal servant.

    At Darnay’s trial, Defarge produces a letter that he discovered in Manette’s old jail cell in the Bastille. The letter explains the cause of Manette’s imprisonment. Years ago, the brothers Evrémonde (Darnay’s father and uncle) enlisted Manette’s medical assistance. They asked him to tend to a woman, whom one of the brothers had raped, and her brother, whom the same brother had stabbed fatally. Fearing that Manette might report their misdeeds, the Evrémondes had him arrested. Upon hearing this story, the jury condemns Darnay for the crimes of his ancestors and sentences him to die within twenty-four hours.

    That night, at the Defarge’s wine-shop, Carton overhears Madame Defarge plotting to have Lucie and her daughter (also Darnay’s daughter) executed as well; Madame Defarge, it turns out, is the surviving sibling of the man and woman killed by the Evrémondes. Carton arranges for the Manettes’ immediate departure from France. He then visits Darnay in prison, tricks him into changing clothes with him, and, after dictating a letter of explanation, drugs his friend unconscious. Barsad carries Darnay, now disguised as Carton, to an awaiting coach, while Carton, disguised as Darnay, awaits execution.
    As Darnay, Lucie, their child, and Dr. Manette speed away from Paris, Madame Defarge arrives at Lucie’s apartment, hoping to arrest her. There she finds the supremely protective Miss Pross. A scuffle ensues, and Madame Defarge dies by the bullet of her own gun, deafening Miss Pross in the process.
    Sydney Carton meets his death at the guillotine, 9at the side of an innocent seamstress) and the narrator confidently asserts that Carton dies with the knowledge that he has finally imbued his life with meaning.

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